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Here are all the paintings of Cornelis van Poelenburch 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 88374 |
 |
Children of Frederick V Prince Elector of Pfalz and King of Bohemia |
1628(1628)
Medium Oil on wood
cyf |
| 97104 |
 |
Entrance of a Grotto |
between 1624(1624) and 1630(1630)
Medium oil on panel
cyf |
| 92474 |
 |
Mercury and Herse |
c. 1620(1620)
Medium oil on panel
Dimensions Height: 18 cm (7.1 in). Width: 27 cm (10.6 in).
cjr |
| 84606 |
 |
Portrait of a Young Girl |
Date first half of 17th century
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
cjr |
| 88456 |
 |
Portrait of a Young Girl |
first half of 17th century
Medium Oil on wood
cyf |
| 90406 |
 |
Portrait of a Young Girl |
first half of 17th century
Medium oil on panel
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
cyf |
| 89874 |
 |
Portrait of Jan Both |
1648(1648)
Medium oil on copper
Dimensions 17 x 13.5 cm (6.7 x 5.3 in)
cjr |
| 91531 |
 |
View of the Campo Vaccino |
1620(1620)
Dimensions Height: 40 cm (15.7 in). Width: 55 cm (21.7 in).
cyf |
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| Cornelis van Poelenburch
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| (1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
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All the Alma Tadema's Oil Paintings
Supported by oil paintings and picture frames
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